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If you loved this Feature, check out another: Here
A Man After Midnight
‘A Man After Midnight’, as a reference to unknown element of time which is experienced in the Rave, is an exploration of the chaotic rituals of youth in the UK party scene; focusing on the infatuating and subconscious sensory experiences individuals have in order to let go.
The photographic journey makes reference to the UK Rave scene’s historical roots, exploring the way in which contemporary party atmospheres has evolved from its birth right. Research started with inspiration from early rave advertisements and social party politics around the movement, following with first-hand creative responses and concluding with a collation of photographic techniques to result in a distorted and creative response to the environments and subject matters around the topic of sensory experience.
Today, presented as an interactive newsprint publication, ‘A Man After Midnight’s’ narrative has responded to an environment of isolation and distortion; a projection of the once somewhat norm, where the party venues are currently closed but the innate need to party carries on.
Bio:
Sasha Hare, based in the South West of the UK, is a Documentary Social Photographer. Sasha explores the ways in which people interact with each other, as well as photomontage and manipulation, to create a unique style to her work. This has included three years of Documentary Photography University education, recently graduating from the University of Plymouth.
Sasha has a keen interest for how photographs are manipulated and appropriated in various ways, taken in order to adapt and evolve her practice. Previously this has been seen in the form of collage and digital editing techniques, resulting in a high level of proficiency in Photoshop and physical collage techniques in Photographic practice.
Websitesasha-hare.format.comInstagram@sashaharephotoYear2020
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